Stables
Stables
Artist: Pierre Palué (1920-2005)
Medium: Oil on Canvas
Dimensions: 14” x 17”
This painting is a small-format modernist landscape, characterized by bold, impasto brushwork and a simplified, abstracted composition. The subject appears to be a rural hillside or terraced vineyard, likely in the South of France. The winding paths or rows (in pale blues and greens) and stacked yellow-green planes suggest cultivated fields or terraced slopes. A darker bluish shape toward the top center likely represents a structure—perhaps a barn or farmhouse—with a snow-covered or light-colored roof. The artist uses a harmonious yet high-contrast palette of light green, lemon yellow, teal, and slate gray, giving the painting a luminous quality. The scene feels sunlit and warm, suggesting a spring or summer day.
About the Artist: Pierre Palué was born in 1920 in Bordeaux. He attended l’Ecole d’art de Valence in 1941 before travelling to Mirmande to paint with André Lhote, Alexandere Garbell and Gustave Bolin. Palué exhibited his paintings in Paris in 1945, then in 1947 at the Drôme in Chavannes. He participated in group exhibitions at le Salon des Indépendants, des Surindépendants, le Salon d’Automne, le Salon des Jeunes Peintres, le Salon de la Société Nationale de Beaux-Arts, le Salon Comparaisons, and le Biennale de Menton. He has held solo exhibitions at Galerie Vandôme, Musée de Toulon, Galerie Colette Dubois, Galerie Réno, Château du Mouchet, Amis de l’art du Musée, Dié and Galerie Merle. Palué’s paintings are in museum collections in Grenoble, Saint-Etienne, Séte, Toulon, Tournon and Valence. There is a museum exhibiting his works called Musee Palué in Tain l’Hermitage, France.
This piece is in very good condition, consistent with its vintage age, with no obvious signs of wear.
All artwork is sold as found, and we always carefully photograph and highlight any notable signs of age.
Stables
Artist: Pierre Palué (1920-2005)
Medium: Oil on Canvas
Dimensions: 14” x 17”
This painting is a small-format modernist landscape, characterized by bold, impasto brushwork and a simplified, abstracted composition. The subject appears to be a rural hillside or terraced vineyard, likely in the South of France. The winding paths or rows (in pale blues and greens) and stacked yellow-green planes suggest cultivated fields or terraced slopes. A darker bluish shape toward the top center likely represents a structure—perhaps a barn or farmhouse—with a snow-covered or light-colored roof. The artist uses a harmonious yet high-contrast palette of light green, lemon yellow, teal, and slate gray, giving the painting a luminous quality. The scene feels sunlit and warm, suggesting a spring or summer day.
About the Artist: Pierre Palué was born in 1920 in Bordeaux. He attended l’Ecole d’art de Valence in 1941 before travelling to Mirmande to paint with André Lhote, Alexandere Garbell and Gustave Bolin. Palué exhibited his paintings in Paris in 1945, then in 1947 at the Drôme in Chavannes. He participated in group exhibitions at le Salon des Indépendants, des Surindépendants, le Salon d’Automne, le Salon des Jeunes Peintres, le Salon de la Société Nationale de Beaux-Arts, le Salon Comparaisons, and le Biennale de Menton. He has held solo exhibitions at Galerie Vandôme, Musée de Toulon, Galerie Colette Dubois, Galerie Réno, Château du Mouchet, Amis de l’art du Musée, Dié and Galerie Merle. Palué’s paintings are in museum collections in Grenoble, Saint-Etienne, Séte, Toulon, Tournon and Valence. There is a museum exhibiting his works called Musee Palué in Tain l’Hermitage, France.
This piece is in very good condition, consistent with its vintage age, with no obvious signs of wear.
All artwork is sold as found, and we always carefully photograph and highlight any notable signs of age.
Stables
Artist: Pierre Palué (1920-2005)
Medium: Oil on Canvas
Dimensions: 14” x 17”
This painting is a small-format modernist landscape, characterized by bold, impasto brushwork and a simplified, abstracted composition. The subject appears to be a rural hillside or terraced vineyard, likely in the South of France. The winding paths or rows (in pale blues and greens) and stacked yellow-green planes suggest cultivated fields or terraced slopes. A darker bluish shape toward the top center likely represents a structure—perhaps a barn or farmhouse—with a snow-covered or light-colored roof. The artist uses a harmonious yet high-contrast palette of light green, lemon yellow, teal, and slate gray, giving the painting a luminous quality. The scene feels sunlit and warm, suggesting a spring or summer day.
About the Artist: Pierre Palué was born in 1920 in Bordeaux. He attended l’Ecole d’art de Valence in 1941 before travelling to Mirmande to paint with André Lhote, Alexandere Garbell and Gustave Bolin. Palué exhibited his paintings in Paris in 1945, then in 1947 at the Drôme in Chavannes. He participated in group exhibitions at le Salon des Indépendants, des Surindépendants, le Salon d’Automne, le Salon des Jeunes Peintres, le Salon de la Société Nationale de Beaux-Arts, le Salon Comparaisons, and le Biennale de Menton. He has held solo exhibitions at Galerie Vandôme, Musée de Toulon, Galerie Colette Dubois, Galerie Réno, Château du Mouchet, Amis de l’art du Musée, Dié and Galerie Merle. Palué’s paintings are in museum collections in Grenoble, Saint-Etienne, Séte, Toulon, Tournon and Valence. There is a museum exhibiting his works called Musee Palué in Tain l’Hermitage, France.
This piece is in very good condition, consistent with its vintage age, with no obvious signs of wear.
All artwork is sold as found, and we always carefully photograph and highlight any notable signs of age.